nice price deal !!! filthy rich drops his huge follow up to dirty freak slammed by everyone from fergie annie mac seamus haji robbie rivera tom stephan deepgroove to plump djs and beyond dirty freak became an instant anthem deepgroove add their hugely respected spin on proceedings

a straight and kicking housegroove with beautiful rythmetic surrounding chords. smart fading acidlines keep this track in motion again and again. he deversifies the arrangement with an alternative basslinepart, nice breaks and gimmiks. >rumores de amor< by paulo olarte on a2 is a pumping and ringing track. based on an irresisteble basline mr olarte is playing and building up smart percusive elements on and on. warm stabs and sub bass add the syncopation to the tough, bouncing groove. dj hausmann presents his new track on the flip

one of germanys best producers, siriusmo puts it down as he only knows how---rough and tough beats that have the technical and melodical aspect of a true genius in dance music. this new wax is a must to add to your grand petrol collection..

>whats wrong with me?< is the banger of the record: straight up madness for those not faint of heart or head. thick beats, nutty syncopations and a serious bassline all come together for that perfect 3 am mind bender. we suggest upon listening to this song that you remove any children that may be in the room as it may give them nightmares. >chitowner< is reminiscent of old prescription records. combining classic keys, horns, chunky beats and acid line, its sure to be a favorite of any deep house head who likes theirs with a bit soul. >i dont know< is just in time for the sound that owns the world at the moment . john and slater have fused funk with a classsic electro feel to make a song that is equal parts bump and edge. add a sample saying >brothers and sisters, i dont know what this world is coming to< and youve got pure dirty magic!

it was only 2 years ago that nocando burst onto the scene with their macro v supported livin in a new world on zurich s own sog records. the original mix fires it off with some chunkier, rhythmic elements that add a good solid foundation to the rumbling bassline and synth stab progressions. support from sasha, nick warren, dave seaman, anthony pappa.

taking a stuttering reggae backing the gamm boys turn this into an unlikely dancefloor alternative with a similar feel to that emmanon track on the flip they add double time drums and all of a sudden its a storming jazzy drum and bass bomb (sb)

tough techy breaks with building haunting synths gets things building, chuck in some great vocal snippets, and add a nice breakdown flip for tough beats and the stuttering screaming vocal sample just makes the crowd go crazy (sb)

domu returns with a strong archive album with some help of rasyiah yolanda nicole kramer michael waterhouse danny huckridge ola onabule and trauma who all add some magic to doms unique rhythm programming tip (sb)

chris carrier and dj wild aka catwash add to crack & speed the second vital attribute of youth rebellion trinity - sex - and swap rock n roll for heavy funkin tech-house ( nevertheless rockin though ): on come to me dj wild looms large his sugar daddy impression spurting out some real sleazy perverted lyrics over a perfectly paced romp-shaking beat and a fat penetrating bassline that gives birth to a drilling acidline escalating slowly to climax in classic wild pitch style. the flip seems to be dedicated to a less frivolous physical exercise...

after the succes of the first 4 player e.p the forces were bundled again for the 2nd release. with the two instrumental tracks on the a side, and two 'vocal' tracks on the b side, this e.p. spans a wide range of flavours, from raw rocking ghetto electro to smooth uptempo detroit influenced electro. four bonus tracks of scratches and drops add to the turntabalist scope and usefulness of this release. 5 artists are involved with this release.. mister ries (databass records), dj nessbeth feat. dj nasty (databass, twilight 76), gab gato from italy and audio perverts from the uk

the a side remix by adam beyer and henrik b is just sublime - they add their minimal twist to it for a thoroughly refreshing interpretation which doesnt follow any obvious cliches and on the floor of a club with a loud system just goes right off. the b side remix is by ozgur can who is one of the hottest producers of the moment hottly tipped for great things and already releasing tracks for various uk labels as well as recording for cocoon and other labels in gemany. his bass driven stripped down version just rocks!! this release has already recieved heavy dj support from the likes of fergie, carl cox and adam beyer

the original is smoking, with bumping jazz piano samples, vocal snippets & strong beats. watch out for boomty man dj sneak as he truely gets the party started with this jackin mix adding a heavy bottom end thats sure to wreck speakers!! no assembly firm add their touch of jazzy weirdness into the mix, chopping up the piano samples, throwing in crazy rolling drums & nuff fx edits & trickery to mess with your head while your body works it out!

the brand new heavies add their jazz funk flavours on the a while the three flipside mixes are all proper sing a long 93 style heavy club party cuts.

mördergranate vom pariser mikrofunkhengst. garantiert besser als die europäische verfassung

"a proper song with the spirit of 70&#146;s two step soul and a modern production edge. add to that one of the finest vocal talents on the planet right now, and youve got something very special indeed. domu comes through with an amazing broken beat re-work"

mitja prinz stretches the definition of modern tech house with his third and yet strongest release on blaou. the recipe is simple: you mix two handfuls of percussion and a lot of pounding bass in a bowl. add a juicy songline seasoned with a couple of fresh breaks

the new album from danish electronic trio system is a special kind of collaborative effort with piano magician nils frahm. his purpose-built improvisations on synth, organ and piano served as source material for the members of system (thomas knak, anders remmer & jesper skaaning), who merged his warm acoustic tones with their minimalist digitalism and set out to translate their distinctive clicks ÕnÕ cuts electronics into vivid soundscapes. over two years in the making, the resulting nine tracks are as sonically intriguing as they are touching. ranging from the mellow bliss of the title track to echoes of 90Õs and 2000Õs electronica and ambient sequences frequented by mesmerizing movements and sounds. the blending of piano and digital tones and noises into emotive pieces might instantly recall the work of alva noto and ryuichi sakamoto, though system and frahm come to quite different results.

the dark lord himself has been creating a big stir in both the hardcore and drum & bass scene these last few years. his productions have completely destroyed dance floors all across the globe and to add to that this beast man has undisputedly won the loudness war.

its time again to add another sonic journey to the watergate mix series catalogue and for this endeavour we have enlisted one of the scenes brightest shining stars and club mainstay jimi jules.

guaranteed to add drama to home video recordings, multimedia projects and websites

hot off the heels of the beautiful obsolete machines lp released this month, radiuss cassette demo restoration project returns to form with the interpolation tapes series. the original source tapes had aged, warped and degraded and as a result we ve preserved the best segments, sampled and reprocessed with a vintage prophet 2000 sampler, studio 440 and various linn samplers to add depth and range to the original source material. we ve spent nearly an entire year restoring and interpolating over 100 hours of music, processing sound and redesigning the blueprints of this long forgotten project. every track was originally recorded down to an old tascam 688, an 8 track cassette recorder purchased and abused since 1992 and to our ears still sounds quite impressive even by modern standards. we ve had nearly every component replaced and re-calibrated to bring this obsolete machine back to life. it s been a truly nostalgic experience re-visiting and re-arranging these masters, regardless of the time passed, there s so much depth in sound design, raw emotions and when considering the limitations of hardware in the era these were recorded, they ve truly aged like a fine wine. we hope you enjoy this magical time in music, as we are very inspired by all that was happening in those years, theres undeniably something in the air, a mystifying energy, long may it live on.

whether itÕs releasing #1 singles such as Ôu donÕt know meÕ (feat. duane harden) and ÔbonkersÕ with dizzee rascal, or underground anthems like Ôthe funk phenomenaÕ and ÔflowerzÕ, armand van helden is the true definition of a legend. with a career spanning over 26 years, his back catalogue includes 7 studio albums, 100s of remixes and countless singles under various aliases Ð defected records welcome armand as their 27th house master, alongside frankie knuckles, mk, masters at work and the latest, his good friend todd terry.

after the hip hop after all tour, guts confirms in an idea more than this in the back of his head to make an album where the proportions 80% samples and programming / live 20% would be reversed. ok! an album to push further his musical exploration, go to the electro-funk, afro-disco, space jazz. add choir here, the talkbox there, play a monstrous bassline, a fiery sax solo instruments or let slip only several minutes: guts did nothing forbidden, opened the doors of the studio, broke the unlocked windows and vents so that no breath or vibration is left out.

for those of us waiting for the next band who will engage our minds, hearts and souls here comes evaline - think radiohead and add in a helping of jane s addiction for energy - with songs full of immediacy and drama that just won t go away and with their high energy live show that has been gathering fans in every city they play.

this latest release by the ever impressive trunk records consists of two jazz recordings from 1964. the first four tracks, credited to west indian trumpeter shake keane, are taken from an unreleased acetate belonging to garricks private collection. the final four tracks consist of the shake keane & michael garrick quartettes a case of jazz ep that had a limited pressing of just 99 copies. much like trunks earlier michael garrick release moonscape (which was recorded in the same year), this is indeed obscure 1960s uk jazz. the first four cuts from the untitled acetate are very much jazz of the bossa nova variety. the hastings girls choir feature on the first two tracks and their lush vocals add a cool exotic vibe. tracks 3 & 4 are taken from the flipside of the acetate and were recorded with the gordon langford orchestra. the final four tracks from the a case of jazz ep are freer flowing and keanes trumpeting accompanied by garricks piano makes for some quality early modern british jazz. moody album closer regrets is a stunner and best showcases how well they both compliment each other.

heidis-run jackathon parties have been hitting cities internationally since late 2009, now with residencies in london, berlin, paris, miami, manchester and amsterdam Ð jackd house is truly taking a fair slice of the scene. the compilation isnt an add on, a supplement to the nights: its deep grounded sound and thoughtfully crafted line-up backs up the global club-motion that is emerging within heidis control.mix favourites step up as the deep and bassy foundings of deetrons the juggler, funk-told incoming bitch by soul clap and move-strong whiff it yawl from jamie jones. although the first mix this year to really engage in houses history, its freedom status Ð it escapes cliche, avoiding big cheez for serious deep, electronics: heidi keeps the listing real. the especially-recorded vocal drops of house-legend derrick carter also make the record what it is, his infamous chicago-born vox gives residence to what heidis trying to do: resurrect the old school.dancefloor destruction is on pause, the club is still a playground, still moving hard theres just more room to play now, as steve bugs last track titles: jacks back.

everybody better bring some towels, because housemeister is about to soak the world in electro champagne. presenting his third full length music, the dirty don of club music did it again. touching ravers hearts and hitting ravers right on their heads at the same time. in arts, good ideas are hard to have, but easy to get - masterful musical output is pretty hard to create, but once itÕs done, itÕs about pure listening pleasure. and with a thousand shitty drugs flooding the streets of music today, it isnÕt everyday you get to consume the 100% stuff. Òmusic is awesomeÓ is that shit thatÕs straight from the kitchen, and housemeister has produced this bitch to the point like a 5 star chef. it seems playing clubs and crowds all over the world do add to a players game. add class and confidence. add experience and excellence, add balls as well as balance, and maybe it just takes 15 years of hardcore djdom to be able to come out and kill like this. music is awesome!

the new album, liquorice, from martin stimming wasnt initially planned to be an album. there was an intrinsic need for him to express what was going on in this period of life. relationship problems led to a very punk, off-whack attitude to his producing. with seven tracks done and dusted, he figured the work was more than just a collection of weird shit, it was a whole new music experienceÉ add another 5 months of studio work, he named it liquorice. definitely hard to pigeonhole - call it minimal, stripped back, dub, experimentalÉ we think >electronic free jazz< comes the closestÉ no sign of a typical 4/4 bass drum at all and stimming has incorporated his trademark use of field recordings, from a marble run, a pizza slicer, a trashcan, a coffee machine, and an ice train shuttling past to name a few. the stimming esque percussion, which is even more radical this time, has been thrown in with all these facets in his massive melting pot, coupled with some dark emotions to create this liquorice. >this time i didnt use all the main events a groove normally has<, recalls martin

2010 release by this project from bristol-based musician scott hendy. anyone who has seen the recent bansky documentary exit through the gift shop has likely heard diego & the dissidents though they may not have realized it. an album that almost never saw the light of day, now resurrected just in time to see brilliant tracks such as -contaminated water pt. 4- and others add depth and intrigue to a film already featuring an -against all odds- theme.

special demin edition !!! her debut album produced by feadz, mr.oizo, sebastian & mirwais incl. >pop the clock< mcs can kiss & add suv feat.pharrell williams

her debut album produced by feadz, mr.oizo, sebastian & mirwais incl. >pop the clock< mcs can kiss & add suv feat.pharrell williams

exile began his musical career in 2000, releasing drum & bass on labels such as beta and moving shadow, but as the years progressed, his sound started to become more complicated and abstract. this was mostly due to his obsession with the reaktor software, which enabled him to spend much of his time creating new and interesting sounds from scratch. his debut full-length, 2006s pro agonist, saw him add elements of breakcore to his constantly mutating yper-breakbeats, but that gradual change in style is nothing compared to the total departure that hes taken on listening tree. long-term fans may be shocked to know that listening tree is peppered with exiles own vocal tracks, as he tackles issues such as britains buy-now-pay-later culture, and even the dynamic nature of the universe on family galaxy, the first single. >family galaxy< is about the constant process of change that underpins everything, explains exile. its a tale from a thingless world where nothing stays the same. as now shines its shifting shades on then, so our ideas of what we have done and will do continually morph.the result is an eccentric electro-pop album that is just as likely to appeal to fans of hot chip as it is otto von schirach